![]() ![]() Most cinephiles agree that Jimmy Stewart’s portrayal of a man in a wheelchair held captive by his apartment-and his own devices-stole the show in Alfred Hitchcock’s masterpiece, “Rear Window.” But architecture Professor of the Practice Peter Noonan offers a different take: one where the claustrophobic quarters of urban apartment living literally build the suspenseful plot that makes the 1954 filmīucolic suburbia, a postapocalyptic city and a childhood home are just some of the settings that earn top billing in Noonan’s popular design seminar, “Architecture & Cinema: Place + Film,” where via settings in celluloid, he challenges students’ perception of place and how we inhabit it.
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